James Cagney practices dancing on the set of Something to Sing About, 1937.
hot things to say during sex:
- aw man i shot marvin in the face
- silly caucasian girl likes to play with samurai swords
- you got two jobs; kiss good, and make sure my hair don’t get wet
- the d is silent
- [faking Italian with a southern accent] bon jorno
- BECAUSE IT’S SO MUCH FUN JAN
Soviet tourism poster from 1964
4000 - 3000 BCE
via > etsi-ketsi.net
Anna May Wong.
"I once had a dream, or a vision, and I imagined that dream to be of importance to other people, so I wrote the manuscript and made the film. But it is not until the moment when my dream meets with your emotions and your minds that my shadows come to life. It is your recognition that brings them to life. It is your indifference that kills them. I hope that you will understand; that you when you leave the cinema will take with you an experience or a sudden thought—or maybe a question. The efforts of my friends and myself have then not been in vain…" — Ingmar Bergman
"It took more than one man to change my name to Shanghai Lily."
Marlene Dietrich and Clive Brook in Shanghai Express (Josef von Sternberg, 1932)
All told, the sequence clocks in at around six minutes. Fukunaga and the crew ran through the whole thing seven times while the cameras were rolling. The director built in possible edit points if two takes had to be combined to make the perfect version of the shot, but anyone who is wondering should know that the sequence everyone saw in the episode is, in fact, a true single take and one of the great achievements of filmmaking for television - True Detective: How Did They Pull Off That Final Shot?
Iggy Azalea and kraft singles
That pack of kraft cheese got more singles than she do tho.
Iggy azalea is australian….
Obsolete: living; possessing life; not dead.
Etymology: from Latinvivus“alive”.
The “Queen of the Cakewalk”, Aida Overton Walker addressed Black writers/critics’ disregard for and criticism of the acting profession in a December issue of The Freeman. After first addressing the main topic at hand, she proceeded to suggest proactive steps that could prepare up-and-coming black performers for the stage. Below is an excerpt from her article:
"I have stated that we ought to strive to produce great actors and actresses; by this I do not mean that all our men and women who possess talent for the stage should commence the study of Shakespeare’s works. Already, too many of our people wish to master Shakespeare, which is really a ridiculous notion. There are characteristics and natural tendencies in our own people which make as beautiful studies for the stage as any to be found in the make-up of any other race, and perhaps far more. By carefully studying our own graces, we learn to appreciate the noble and the beautiful in ourselves, just as other people have discovered the graces and beauty in themselves from studying and acting that which is noble in them. Unless we learn the lesson of self-appreciating and practice it, we shall spend our lives imitating other people and depreciating ourselves. There is nothing equal to originality, and I think much time is lost in trying to do something that has been done and "overdone," much better than you will be able to do it."
The Freeman (Dec. 28, 1912) - Link
- hemingway: so what did you think of my new draft?
- fitzgerald: i mean if you like that sort of thing i guess it was good
- hemingway: ...what does that mean
- fitzgerald: nothing just it has a very honest narrative tone, it presents in an extremely frank way and there's something strikingly transparent about the characterization you have going on
- hemingway: oh no
- fitzgerald: i guess you could say it's...a little too...earnest.
- hemingway: godAMMIT FITZ